Factoid #3, exhibited in La Vitrine, a project curated by Isabelle Azaïs at her shop in Brussels, consisted of two parts, each measuring two meters high and 1.20 meters wide. This time the taped, architecturally discordant lines were on glass, namely the front window of the shop’s vitrine. Behind it was a larger-than-life still from a video of Carina’s performance for Factoid #1. With lines both behind her image in the photo and in front of her on the window, Carina appeared to be immersed in disparate, floating, forced-perspective architectural drawings.