Carina Gosselé
  • HOME
  • CV
  • CASABLANCA COLLECTIVE
    • SCREENTESTS
    • INTERVENTIONS
    • IMPOSITION NR. 1,2,3
    • PAINTINGS
    • INSTALLATIONS & OBJECTS
    • WORKS ON PAPER >
      • DRAWINGS
      • SKETCHES
      • MONTAGES
      • PHOTO'S
    • SKINDRAWINGS >
      • TATTOOS
    • WEBSITE CASABLANCA COLLECTIVE
  • PROJECTS
    • SCALPS
    • T.A.Z.
    • QARINAH >
      • ROND DE PUTTEN 2012
    • UNDER WHERE
    • MUTATION
    • SAMAINOS >
      • PERFORMANCE: SAMAINOS 31/10/2011
      • VIDEOSTILLS: SAMAINOS
    • MUTE >
      • PHOTOS
      • MUTE: FLASH DRAWINGS
      • MONTAGES
    • MEETING GROUNDS >
      • VIDEO PERFORMANCE
    • NEXT, Chicago, 2009 >
      • PERFORMANCE "DISLOCATION #1,2,3"
      • PERFORMANCE "DISLOCATION #1"
      • PERFORMANCE "DISLOCATION #2"
      • PERFORMANCE "DISLOCATION #3"
    • DISLOCATION #4
    • FACTOID >
      • ANTWERP
      • DÜSSELDORF
      • BRUSSELS
      • LJUBLJIANA
      • CHESTER
    • TRANS-DANCE >
      • TRANS-DANCE #1
      • TRANS-DANCE #2
      • TRANS-DANCE: PORTRAITS
      • PERFORMANCE
    • PBU
    • TOURIST
    • HOMELAND SECURITY
    • π
    • LOLLYFICATION
    • DOUBLE EXPOSURE >
      • PERFORMANCE
  • TEXTS
    • ROND DE PUTTEN 2012
    • MUTE
    • MEETING GROUNDS
    • ENTER THIS BODY
    • TRANS-DANCE
    • FACTOID
    • FACTOID #5
    • MULTIPLES: SWITCH- PROJECT
    • HOMELAND SECURITY
    • TEKST: KRIS VERDONCK
  • WORKS ON PAPER
    • DRAWINGS
    • COLLAGES
    • FLASH DRAWINGS
    • PHOTO MONTAGES
  • INSTALLATIONS & OBJECTS
  • RESIDENCIES
    • Kurt Schwitters Merzbarn, summer 2013
  • EDITIONS
  • SOUND, VIDEO
    • SOUND WORKS
    • VIDEO WORKS
  • SecondRoom
Factoid #4, was created for Potemkin Village, part of Festival Break 2.4 in Ljubljana, Slovenia. In keeping with the aims of this event (based around the theme of fake settlements erected at the direction of Russian minister Grigori Aleksandrovich Potemkin to fool Empress Catherine II during her visit to Crimea in 1787), Factoid #4 served to camouflage/subvert the façade of a single-family, pre-war house, undermining its implied inherent structure. Architectural fragments from the Antwerp and Düsseldorf versions of Factoid were included in the composition, in keeping with the project’s tendency to incorporate parts of its history within itself. 

Powered by Create your own unique website with customizable templates.